Catalogue of works
I. Instrumental and vocal music (concertante)
a) Small formations (1-4 musicians)
Title | Orchestration | Duration | Remarks |
---|---|---|---|
Scorpio | solo viola | 4′ | |
Schrödingers Alm | solo soprano | 8′ | Lyrics: Levin Handschuh |
Das Perlgewebe | french horn, bassoon | 5′ | |
Spitz auf Knopf | bass clarinet, viola | 5′ | |
On-Off | baritone saxophone, accordion, piano | 4′ | |
Klaviertrio | violin, violoncello, piano | 6′ | |
Pfad II | dulcimer, recorder | 10′ | with additional instruments, partly foot-touch score |
Three Intermezzi | dulcimer, bassoon, double bass | 8′ | |
Kafka am Strand | mezzo soprano, piano | 3′ | |
Skin | two violins, viola, violoncello | 6′ | |
Pfad I | solo recorder | 7′ | foot-touch score |
Kaleidoskop | violin, piano | 5′ | |
Richtungswechsel | vocal quartet (SATB) | 4′ | after announcements of a navigation device |
Stumme Berührung (Silent Touch) | violin, violoncello | 8′ | |
Wunder über Wunder | soprano, piano | 2′ | Lyrics: Joseph v. Eichendorff |
String Quartet | two violins, viola, violoncello | 12′ | |
Sonatina for violin and piano | violin, piano | 5′ | |
Klangspiele | solo piano | 5′ | |
Zahnschmerzenblues (Toothache Blues) | piano four hands | 5′ |
b) Medium-sized formations (5-10 musicians)
Title | Orchestration | Duration | Remarks |
---|---|---|---|
Wetterbericht (Weather Report) | two violins, viola, violoncello, basset horn | 11′ | |
Blinde Nacht | violin, two violas, two violoncellos, harpsichord | 6′ | |
Capriccio | flute, violin, saxophone, piano, electric guitar, marimba | 5′ | |
Jetzt ist Zeit | soprano, viola, violoncello, horn, tuba, piano | 10′ | |
Cuadrocoloredondos | soprano, flute, oboe, violin, violoncello, piano | 3′ |
c) Large formations (from 11 musicians, also choir/orchestra)
Title | Orchestration | Duration | Remarks |
---|---|---|---|
Aufbruch | symphonic wind orchestra and solo piano | 10′ | |
Chat/Gebet | Ensemble (12 instruments) | 12′ | |
Cello Concerto | solo violoncello. small orchestra | 20′ | |
Schiefes Schicksal | children’s choir, oboe, violoncello, harp, percussion | 8′ | |
Abschiedswalzer | Ensemble (13 instruments) | 5′ |
II. Works for scenic performances
a) Small Works
Work | Text | Orchestration | Remarks |
---|---|---|---|
Hanswursts Hochzeit stage music 10 minutes |
freely adapted from Johann Wolfgang von Goethe’s fragment “Hanswursts Hochzeit oder Der Lauf der Welt” (Hanswurst’s Wedding or the Course of the World) | two figure players and ensemble (flute, clarinet, bassoon, accordion, viola, double bass) | Music for scenes by Winnie Luzie Burz and Jan Jedenak |
We built this city Installative Performance 20 minutes |
feeds, violin improvisation | ||
1973Paranoia Stage Music 10 minutes |
violin, piano | Three improvisation concepts on songs from “Chicago”. | |
Das Leben ist kein Wunschkonzert stage music 10 minutes |
Sapir Heller & Katharina Schmauder | three performers, bass-zither, violin, guitar | |
Altes Medium music theatre 10 minutes |
Levin Handschuh | actor, laptop, typewriter, violin |
b) Large works
Work | Text | Orchestration | Remarks |
---|---|---|---|
Luzid stage play 75 minutes |
Rafael Spregelburd | solo tuba, feeds | Trailer: https://vimeo.com/363249296 |
Don Quijote – eine Ballade aus dem Koffer Classroom Opera 45 minutes |
Levin Handschuh (freely adapted from motifs by Miguel de Cervantes) |
tenor, mandolin, double bass | |
L’Orfeo Opera 2 ½ hours |
Alessandro Striggio | Soloists as in Monteverdi, choir (SATB, divided into up to 6 voices), also choral soloists
Small orchestra: 2,2,0,1 – 0,3,3,0 – harp, drums, electric guitar, keyboards (1 player: harpsichord, organ, synthesizer) – Strings: 1,1,1,1 Stage musicians: Viola d’Amore, Baroque Mandolin |
Arrangement of Claudio Monteverdi’s opera and new composition of the finale based on the original libretto by Alessandro Striggio, which has not been set to music before |
Happy Birthday Dance piece 70 minutes |
solo violin (live, also scenic) On tape: two saxophones, harmonium, percussion, violin |
Idea and choreography: Annett Göhre |
|
Alice in Wonderland Experimental musical 80 minutes |
Roland Schimmelpfennig | soprano, mezzo-soprano, alto, three violoncellos, electric guitar, two synthesizers | composed together with Samuel Penderbayne |
Gletscher music theatre 60 minutes |
Margareth Obexer | two performers, bass clarinet, tuba, treble/bass/e-zither, feeds |