{"id":1628,"date":"2020-09-02T17:43:29","date_gmt":"2020-09-02T17:43:29","guid":{"rendered":"https:\/\/kschmauder.de\/werke\/"},"modified":"2023-06-22T22:11:43","modified_gmt":"2023-06-22T22:11:43","slug":"works","status":"publish","type":"page","link":"https:\/\/kschmauder.de\/en\/works\/","title":{"rendered":"Works"},"content":{"rendered":"

Catalogue of works<\/h1>\n

I. Instrumental and vocal music (concertante)<\/span><\/h1>\n

a) Small formations (1-4 musicians)<\/h1>\n<\/div>\n
\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Title<\/th>\nOrchestration<\/th>\nDuration<\/th>\nRemarks<\/th>\n<\/tr>\n<\/thead>\n
Scorpio<\/td>\nsolo viola<\/td>\n4′<\/td>\n<\/td>\n<\/tr>\n
Schr\u00f6dingers Alm<\/td>\nsolo soprano<\/td>\n8′<\/td>\nLyrics: Levin Handschuh<\/td>\n<\/tr>\n
Das Perlgewebe<\/td>\nfrench horn, bassoon<\/td>\n5′<\/td>\n<\/td>\n<\/tr>\n
Spitz auf Knopf<\/td>\nbass clarinet, viola<\/td>\n5′<\/td>\n<\/td>\n<\/tr>\n
On-Off<\/td>\nbaritone saxophone, accordion, piano<\/td>\n4′<\/td>\n<\/td>\n<\/tr>\n
Klaviertrio<\/td>\nviolin, violoncello, piano<\/td>\n6′<\/td>\n<\/td>\n<\/tr>\n
Pfad II<\/td>\ndulcimer, recorder<\/td>\n10′<\/td>\nwith additional instruments, partly foot-touch score<\/td>\n<\/tr>\n
Three Intermezzi<\/td>\ndulcimer, bassoon, double bass<\/td>\n8′<\/td>\n<\/td>\n<\/tr>\n
Kafka am Strand<\/td>\nmezzo soprano, piano<\/td>\n3′<\/td>\n<\/td>\n<\/tr>\n
Skin<\/td>\ntwo violins, viola, violoncello<\/td>\n6′<\/td>\n<\/td>\n<\/tr>\n
Pfad I<\/td>\nsolo recorder<\/td>\n7′<\/td>\nfoot-touch score<\/td>\n<\/tr>\n
Kaleidoskop<\/td>\nviolin, piano<\/td>\n5′<\/td>\n<\/td>\n<\/tr>\n
Richtungswechsel<\/td>\nvocal quartet (SATB)<\/td>\n 4′<\/td>\nafter announcements of a navigation device<\/td>\n<\/tr>\n
Stumme Ber\u00fchrung (Silent Touch)<\/td>\nviolin, violoncello<\/td>\n8′<\/td>\n<\/td>\n<\/tr>\n
Wunder \u00fcber Wunder<\/td>\nsoprano, piano<\/td>\n2′<\/td>\nLyrics: Joseph v. Eichendorff<\/td>\n<\/tr>\n
String Quartet<\/td>\ntwo violins, viola, violoncello<\/td>\n12′<\/td>\n<\/td>\n<\/tr>\n
Sonatina for violin and piano<\/td>\nviolin, piano<\/td>\n5′<\/td>\n<\/td>\n<\/tr>\n
Klangspiele<\/td>\nsolo piano<\/td>\n5′<\/td>\n<\/td>\n<\/tr>\n
Zahnschmerzenblues (Toothache Blues)<\/td>\npiano four hands<\/td>\n5′<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
<\/div>
<\/div>
<\/div>

b) Medium-sized formations (5-10 musicians)<\/h1>\n<\/div>\n
\n\n\n\n\n\n\n\n\n\n
Title<\/th>\nOrchestration<\/th>\nDuration<\/th>\nRemarks<\/th>\n<\/tr>\n<\/thead>\n
Wetterbericht (Weather Report)<\/td>\ntwo violins, viola, violoncello, basset horn<\/td>\n11′<\/td>\n<\/td>\n<\/tr>\n
Blinde Nacht<\/td>\nviolin, two violas, two violoncellos, harpsichord<\/td>\n6′<\/td>\n<\/td>\n<\/tr>\n
Capriccio<\/td>\nflute, violin, saxophone, piano, electric guitar, marimba<\/td>\n5′<\/td>\n<\/td>\n<\/tr>\n
Jetzt ist Zeit<\/td>\nsoprano, viola, violoncello, horn, tuba, piano<\/td>\n10′<\/td>\n<\/td>\n<\/tr>\n
Cuadrocoloredondos<\/td>\nsoprano, flute, oboe, violin, violoncello, piano<\/td>\n3′<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
<\/div>
<\/div>
<\/div>

c) Large formations (from 11 musicians, also choir\/orchestra)<\/h1>\n<\/div>\n
\n\n\n\n\n\n\n\n\n\n
Title<\/th>\nOrchestration<\/th>\nDuration<\/th>\nRemarks<\/th>\n<\/tr>\n<\/thead>\n
Aufbruch<\/td>\nsymphonic wind orchestra and solo piano<\/td>\n10′<\/td>\n<\/td>\n<\/tr>\n
Chat\/Gebet<\/td>\nEnsemble (12 instruments)<\/td>\n12′<\/td>\n<\/td>\n<\/tr>\n
Cello Concerto<\/td>\nsolo violoncello. small orchestra<\/td>\n20′<\/td>\n<\/td>\n<\/tr>\n
Schiefes Schicksal<\/td>\nchildren’s choir, oboe, violoncello, harp, percussion<\/td>\n8′<\/td>\n<\/td>\n<\/tr>\n
Abschiedswalzer<\/td>\nEnsemble (13 instruments)<\/td>\n5′<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
<\/div>
<\/div>
<\/div>

<\/h1>\n

II. Works for scenic performances<\/span><\/h1>\n

a) Small Works<\/h1>\n<\/div>\n
\n\n\n\n\n\n\n\n\n\n
Work<\/th>\nText<\/th>\nOrchestration<\/th>\nRemarks<\/th>\n<\/tr>\n<\/thead>\n
Hanswursts Hochzeit<\/strong>
\nstage music
\n10 minutes<\/td>\n		freely adapted from Johann Wolfgang von Goethe’s fragment “Hanswursts Hochzeit oder Der Lauf der Welt” (Hanswurst’s Wedding or the Course of the World)<\/td>\ntwo figure players and ensemble (flute, clarinet, bassoon, accordion, viola, double bass)<\/td>\nMusic for scenes by Winnie Luzie Burz and Jan Jedenak<\/td>\n<\/tr>\n
We built this city
\n<\/strong>Installative Performance
\n20 minutes<\/td>\n		<\/td>\nfeeds, violin improvisation<\/td>\n<\/td>\n<\/tr>\n
1973Paranoia
\n<\/strong>Stage Music
\n10 minutes<\/td>\n		<\/td>\nviolin, piano<\/td>\nThree improvisation concepts on songs from “Chicago”.<\/td>\n<\/tr>\n
Das Leben ist kein Wunschkonzert<\/strong>
\nstage music
\n10 minutes<\/td>\n		Sapir Heller & Katharina Schmauder<\/td>\nthree performers, bass-zither, violin, guitar<\/td>\n<\/td>\n<\/tr>\n
Altes Medium<\/strong>
\nmusic theatre
\n10 minutes<\/td>\n		Levin Handschuh<\/td>\nactor, laptop, typewriter, violin<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
<\/div>
<\/div>
<\/div>

b) Large works<\/h1>\n<\/div>\n
\n\n\n\n\n\n\n\n\n\n\n
Work<\/th>\nText<\/th>\nOrchestration<\/th>\nRemarks<\/th>\n<\/tr>\n<\/thead>\n
Luzid
\nstage play<\/strong>
\n75 minutes<\/td>\n		Rafael Spregelburd<\/td>\nsolo tuba, feeds<\/td>\nTrailer: https:\/\/vimeo.com\/363249296<\/a><\/td>\n<\/tr>\n
Don Quijote \u2013 eine Ballade aus dem Koffer
\n<\/strong>Classroom Opera
\n45 minutes<\/td>\n		Levin Handschuh
\n(freely adapted from motifs by Miguel de Cervantes)<\/td>\n		tenor, mandolin, double bass<\/td>\n<\/td>\n<\/tr>\n
L’Orfeo
\n<\/strong>Opera
\n2 \u00bd hours<\/td>\n		Alessandro Striggio<\/td>\nSoloists as in Monteverdi, choir (SATB, divided into up to 6 voices), also choral soloists<\/p>\n

Small orchestra: 2,2,0,1 – 0,3,3,0 – harp, drums, electric guitar, keyboards (1 player: harpsichord, organ, synthesizer) – Strings: 1,1,1,1<\/p>\n

Stage musicians: Viola d’Amore, Baroque Mandolin<\/td>\n

Arrangement of Claudio Monteverdi’s opera and new composition of the finale based on the original libretto by Alessandro Striggio, which has not been set to music before<\/td>\n<\/tr>\n
Happy Birthday
\n<\/strong>Dance piece
\n70 minutes<\/td>\n		<\/td>\nsolo violin (live, also scenic)
\nOn tape: two saxophones, harmonium, percussion, violin<\/td>\n		Idea and choreography:
\nAnnett G\u00f6hre<\/td>\n<\/tr>\n
Alice in Wonderland<\/strong>
\nExperimental musical
\n80 minutes<\/td>\n		Roland Schimmelpfennig<\/td>\nsoprano, mezzo-soprano, alto, three violoncellos, electric guitar, two synthesizers<\/td>\ncomposed together with Samuel Penderbayne<\/td>\n<\/tr>\n
Gletscher<\/strong>
\nmusic theatre
\n60 minutes<\/td>\n		Margareth Obexer<\/td>\ntwo performers, bass clarinet, tuba, treble\/bass\/e-zither, feeds<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
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